Monday, June 25, 2012

The Essentials: Westerns (Part 2)


The Searchers (1956)

This movie isn’t just a classic western, it’s one of my selections for the top 10 greatest movies of all time.  The story is great, but try to notice the cinematography that is employed along the way. Watch for the way John Ford frames his shots, and the emotional intensity that it creates. A core component of all westerns is the sense of isolation that the main character typically feels and his unflinching, uncompromising adherence to his moral code (whatever that code may be). The final scene of the movie is one of my all-time favorites, and is the perfect picture of heroic isolationism. This movie touches on revenge and forgiveness, relentless pursuit, and the meaning of love, family and belonging, and is worth seeing again and again.


Once Upon A Time In The West (1968)

If Stagecoach created the archetype for the early Western in cinema, Once Upon A Time In The West turned those archtypes on their heads. Director Sergio Leone (the father of the “spaghetti western”) has created a masterpiece of depth, style, and pacing. He brilliantly cast Henry Fonda against type as the sadistic killer Frank, one of the first Westerns to have the lead actor portray the villain. Pay particular attention to the terrific musical score and Leone’s use of close-ups. Leone borrowed freely from High Noon, The Searchers, and Shane but still created a unique vision of the old west and helped change the tone of the Western for a new generation of movie-goers. 


Unforgiven (1992)

The film that single-handedly brought the Western back into cinematic prominence. Directed by and starring Clint Eastwood, the movie is a brilliant treatise on the myth of the heroic gunslinger, the consequences of violence, and aging. The movie strips away any glamour present in the four earlier films on this list. This old west is a dirty, brutal place of moral ambiguity. Most characters are neither heroes nor villains and many continue to change in mind and soul as the movie progresses. The act of killing someone (and the consequences of that act) has rarely been treated with such thought and care in any previous Westerns. 


The Essentials: Westerns (Part 1)

Posted by Tony and Michael

Ok, I know that the Western genre seems an odd place to start, but it's the place that Tony and I agreed on quickly and rather easily, also it's a personal favorite of mine.....so back-off!!!!!

Here are the movies that we feel are essential to any lover of cinema who wants to fully understand the genre of Western movies. Michael reviewed the first three movies, and Tony reviewed the last two.


Stagecoach (1939)
This movie is not only essential to all Westerns, it’s archetypal. Everything you’ve ever seen in a western got it’s start in this movie. John Wayne plays the classic rough around the edges outlaw with the deeper moral code that is bigger than the law. Claire Trevor plays the woman with the questionable history with the heart of gold. There are villains, cowards, and prejudiced people, and director John Ford ties it all together simply and superbly. Ford is hands down the greatest director of westerns of all time, and he is on the short list of the greatest directors of all time in any genre. It’s fitting that this movie came out in 1939, the single greatest year of movies in history. Stagecoach is a must watch for anyone wanting to understand and enjoy the Western genre.

High Noon (1953) 


Director: Fred Zinneman.  If The Searchers is the perfect example of heroic isolationism, the High Noon is the perfect example of a strict adherence to a moral code. The concept of right vs. wrong is played out beautifully by Zinneman as the duty bound retiring Sheriff (played by Gary Cooper) clashes with his young, brash, soon to be replacement (played by Lloyd Bridges). The theme is layered in several other places as well, including the juxtaposition of the Sheriff’s new bride, a Quaker, delicately dressed in white (played by Grace Kelly) versus the Sheriff’s old love interest who seems to have a checkered past, dressed most often in darker colors. There’s the forboding evil of Frank Miller and his gang arriving into to town on the noon train and the cowardice of the townfolk that the Sheriff has served for years. On top of all that the sequence is played out in real time, with frequent shots of clocks to remind you of the climax coming at high noon! 




Thursday, June 21, 2012

The Essentials


Posted by Michael

Tony and I love movies. Ok, to be honest we are probably a bit obsessive. Between the two of us we have seen a terrifying amount of movies, including a majority of the American Film Institute’s top 100 movies of all time. What we have come to realize is that there are way more quality movies out there than we will ever have the time to see. That got us thinking (always a dangerous idea) and we have decided to compile a list of “essentials”. We are working together to come up with 5 movies from every major movie genre that encapsulate the essence of that genre. If you could only see 5 movies in a genre, these would be the movies to see. After seeing the essentials you will have a firm grasp of that slice of movie history. Over the next few weeks we will roll them out genre by genre. So, if you are looking to broaden your cinematic experience this is the place to start. Also, we would love any feedback you have on movies that you think we snubbed and should absolutely be a part of an essentials list. (Anyone ever listing any movie from the Twilight series will be banned from feedback eternally)

Thursday, May 3, 2012

Getting There


Posted by Michael

I guess I’ve always lived with a “getting there” mentality. I’ve worked hard with the thought that this is sure going to pay off when I “get there”. I’m not sure when this started or for that matter where or what exactly, “there” is. In some ways, “there” exists in my mind as a set of external circumstances. There would be a cast of characters. Family members who are always content with my efforts, as I seamlessly meet all of their needs before they were even able to say them out loud. I would have friends to go on adventures with. We would spend months hopping trains in the pacific northwest. Off course, there  be a love interest, who had only always loved me, and who made only the most crispy and delicious waffles. In truth, I’m not sure how much thought I had given to what those circumstances would really be like, only that I would know it when I got there. As silly as it sounds the simple thought finally occurred to me: I’m there now. Everything doesn’t work smoothly. There are heartbreaks, discouragement, and more broken pieces lying around than I care to count, but I’m surrounded by great people (whether I relate to them well or not). I’m not changing the world or hopping trains. (For some inexplicable reason the latter dream is harder to let go of). For better or worse, with whatever I have or lack, this is there. I habitually allow my yesterdays and my tomorrows steal my today. If I’m not careful, wallowing in that regret even now steals precious moments of life. So, in my continuing quest to grow more sane, my goals for today are as follows:

                     -walk more slowly
                     -actually taste my food
                     -stop and listen to what the world sounds like without music, tv, 
                          or podcasts blaring
                     -take a couple of deep breaths now and then just to remind
                          myself that I am here

Any feedback from those of you relinquishing the dream of train hopping would be greatly appreciated….

Wednesday, May 2, 2012

If You Were In Charleston...


Michael here...

If you were in Charleston, then I would remind you of one of your most important jobs upon entering any city, finding a good bakery and coffee shop. You can tell a lot about a town by how seriously they take their coffee and pastries. Charleston is no different, and although there are several good options for bakery goodness in town, I recommend stopping in at Whisk. It’s a small shop with just a couple of tables to relax at. There were a couple of people busy at work kneading and preparing bread to bake just a few feet behind the counter where you place your order, which is how the universe was meant to operate. You really can’t go wrong at Whisk, but I would go for the freshly made coconut macaroons. Equal parts gooey and crispy, with the southern half dipped in chocolate. Crushed pistachios are neatly crumbled on top to give just enough salty flavor to balance things out well.

Tony and I would love any feedback anyone may have about great places to eat in any of the towns we mention, so feel free to comment at will……


Wednesday, April 25, 2012

The Aggravation of Love


God loves you. Probably the most used phrase in all of Christian history, and for good reason. You could say that that tiny phrase is one of the irreducible cores of all of Scripture. God loves you. But like most phrases, when it’s been used enough, it begins to lose it’s meaning. If God loves me means that God has sentimental feelings of affection for me, then that’s super. But doesn’t He have that for everybody? Does this mean anything for my daily life? But what if the love God has for us isn’t just sentimental feelings of affection? I believe that God’s love for me isn’t a fact that I should know in my head. It’s an active, aggressive process that He wants to engage me in, one that will provoke me throughout the entirety of my life. His love seems to push and pull, beckon and seduce, challenge, and at times even appears to ignore. I can never take His love for granted because I never know how it will manifest itself at any given moment. His love makes my life an unpredictable adventure. Just when I thought I had this whole thing figured out, God sits me next to most chatty person in history at the coffee shop, and seems to whisper into my heart that His love has something to do with what’s about to happen. Because the experience of His love is constantly changing, my response is constantly changing as well. Sometimes I love God by singing to Him, sometimes by reading, sometimes by talking to a stranger, sometimes by simply trusting, and other times by being angry. The song I was taught to sing when I was young wasn’t joking when it taught that God’s love is like “a fountain flowing deep and wide”. Being loved by God is a lot like being carried down stream. It’s deep so my feet can’t reach the ground and control it. It’s wide, so I can’t reach to the side and escape it. It bruises me, frustrates me, cleans me, and calms me. It’s constantly changing and at the end, I will be in a very different place because of it. 

Thursday, April 19, 2012

Seeing is Believing

Tony here:
I was driving by a church recently and the sign out front had the quote from John 20:8…”he saw and believed.” It started me thinking about the image that we, as Christians, project to a world that desperately needs to believe. Benjamin Franklin is quoted as saying “Believe none of what you hear and half of what you see.” If those around us take that advice, they are basically ignoring what we say and are forming an opinion of us based at least partially on their observations of what we do. What are we, as Christians, doing to influence those around us? What do people think of us as individuals and as Christians? I did a little internet research on the perception that our society has towards Christians in general. I found a blog (andrew-ong.com) entry about a 2007 book by David Kinnamon called UnChristian: What A New Generation Really Thinks about Christianity. Kinnamon discussed 6 negative perceptions that non-Christians have toward Christians:
Christians are hypocrits
Christians are too focused on getting converts
Christians are anti-homosexual
Christians are out of touch with reality
Christians are too political
Christians are judgemental
The Great Commision says:Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit,  and teaching them to obey everything I have commanded you.” Yet, how can we successfully make disciples or teach people to obey God’s commands when the world has such a negative opinion of us?
Ultimately, to me, the real question is, what can I do to make people see the love of Jesus Christ and the positive aspects of Christianity in my daily life? Because, no matter what I say, I know they will not believe unless they see.